All Art is Ecological (Green Ideas)

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Kagan does this from a social point of view: “How many social processes occur through artistic processes that would potentially generate social change ( Kagan 2013, p. 400 and passim, esp. 400–29).

That a massive animal and plant extinction is now unfolding is irrefutable, but what is so crucial about this sixth such event is that the asteroid causing the die-off is us. Semper, Gottfried. 1860. Der Stil in den technischen und tektonischen Künsten oder Praktische Ästhetik. Ein Handbuch für Techniker, Künstler und Kunstfreunde. Frankfurt a. M.: Verl. für Kunst und Wissenschaft, vol. 1. [ Google Scholar] Many times I noted "word salad" or "male logic" in the margins cause it didnt make sense, he didnt argue in anyway clearly or precisely, and he didnt follow through with this thoughts. Like, you criticize mind/body duality but at the same time, call yourself nonbinary? Make it make sense.Provocative and playful, All Art is Ecological explores the strangeness of living in an age of mass extinction, and shows us that emotions and experience are the basis for a deep philosophical engagement with ecology. Kosok, Felix. 2021. Form, Funktion und Freiheit: über die ästhetisch-politische Dimension des Designs. Bielefeld: Transcript. [ Google Scholar]

Prigann, Herman; Strelow, Heike; David, Vera (2004). Ecologcial aesthetics: art in environmental design: theory and practice. Switzerland: Basel [etc.]: birkhauser. ISBN 3764324244. Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape, Abbeville Press, 1989 and 2008. I found it quite hard to finish, Personally, I found it much harder to finish this booklet then, say, Mark Fisher or Franco Berardi (or even Sigmind Freud). I don't vibe with this author at all...even though I am interested in the topic.

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Naess, Arne (June 1992). "Deep Ecology and the Potters in (sic) Our Planet". Studio Potter. 20: 39–9.

STUDIOKCA. 2022. Architect and Art Studio. Available online: http://www.studiokca.com (accessed on 12 August 2022). Wagner, Monika. 2013. Studio matters: Materials, instruments and artistic processes. In Hiding Making, Showing Creation: The Studio from Turner to Tacita Dean. Edited by Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann. Amsterdam: Amsterdam Univ. Press, pp. 31–42. [ Google Scholar] Moyer, Twylene; Harper, Glenn, eds. (2011). The New Earthwork: Art Action Agency. Seattle, WA: ISC Press. ISBN 9780295991641. A current definition of ecological art drafted collectively by the EcoArt Network of international artists, founded in 1998, is "an art practice that embraces an ethic of social justice in both its content and form/materials. EcoArt is created to inspire caring and respect, stimulate dialogue, and encourage the long-term flourishing of the social and natural environments in which we live. It commonly manifests as socially engaged, activist, community-based restorative or interventionist art." [23] [24] Theories [ edit ] Generally, this whole text seems to be a justification for privileged Boomers ( and yes, Morton has to mention that he is Gen X). It's mental gymnastics to justify why "not caring is caring".Rahmani, Aviva. 2022a. Available online: https://www.avivarahmani.com/ (accessed on 12 August 2022). University of British Columbia, Department of Curriculum & Pedagogy. "Don Krug, Research Interests". UBC Faculty of Education. EDCP. Archived from the original on 26 July 2015 . Retrieved 4 September 2015.

Rahmani, Aviva; Schroeder, Paul C.; Boudreau, Paul R.; Brehme, Chris E.W.; Boyce, Andrew M; Evans, Alison J. (2001). "The Gulf of Maine Environmental Information Exchange:participation, observation, conversation". Environment and Planning B: Planning and Design. 28 (6): 285–887. doi: 10.1068/b2749t. S2CID 61284002. Rogers, Kendal, ed. (2011). Edge of Life: Forest Pathology. Art. Nacogdoches, Texas: Stephen F. Austin State University Press. ISBN 978-1936205318. Macy, Joanna; Fleming, Pat (1995). The Council of All Beings in Alan Drengson & Yuichi Inoue, The Deep Ecology Movement: An Introductory Anthology. Berkeley, California: North Atlantic Books. Adorno, Theodor W. 2017. Ästhetik (1958/1959). Edited by Eberhard Ortland. Nachgelassene Schriften. Abteilung IV: Vorlesungen, vol.3. Berlin: Suhrkamp. [ Google Scholar]

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Buchmann, Sabeth. 2020. (Politische) Kunst oder (soziale) Praxis? Eine Versuchsanordnung über die 1990er. In Funktionen der Künste.Transformatorische Potentiale künstlerischer Praktiken. Edited by Birgit Eusterschulte, Christian Krüger and Judith Siegmund. Stuttgart: J.B. Metzler, pp. 147–64. [ Google Scholar] Krüger, Christian. 2020. Überengagement. In Funktionen der Künste. Transformatorische Potentiale künstlerischer Praktiken. Edited by Birgit Eusterschulte, Christian Krüger and Judith Siegmund. Stuttgart: J.B. Metzler, pp. 45–60. [ Google Scholar]